Last week I had to substitute The Losers in place of one of these films, because the disc NetFlix sent me was borked. The replacement disc was borked in almost the exact same place, but I muddled through. I’m nothing if not dedicated. Or committed. Or I should be committed.
Urban struggle, Southern resolve, and Ohio Valley hi-jinx next, on Cinematic Blues…
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DEAR JOHN (2010)
Based on the novel by Nicholas Sparks
Screenplay by Jamie Linden
Directed by Lasse Hallström
Sony/Screen Gems
”No matter where you are in the world, the moon is never bigger than your thumb.”
Here’s one of those movies, based on one of those books. I am so far outside of the key demographic for this film that it seemed ridiculous to even put this movie on my queue. Still, my crush on Amanda Seyfried has yet to find its limitations, so here we are.
In the Spring of 2001, Savannah Curtis (Seyfried) meets John Tyree (Channing Tatum) while both are home in South Carolina – she on spring break from college, he on leave from the Army. They fall in love and spend 2 weeks together before he’s back on duty in the Special Forces. He’s only got a year left, and they spend the movie writing letters back and forth. Then 9/11 happens, Tyree re-ups, Savannah’s situation changes at home, and a literal “Dear John” letter is sent.
It’s treacly, and it’s slow, and Tatum has the acting range of a wet Nerf ball thrown by a three-year old, but it’s pretty to look at. Shot in locations in and around Charleston, SC the scenery is quite stunning. The big house where Savannah lives has been used in films before (most notably The Great Santini and The Big Chill) and the cinematography makes the most of that.
The film also gets points for not telegraphing the plot the way I thought it did from the opening scenes. I appreciated that, since I had such low expectations for my opinion on the film anyway.
The role I really enjoyed was Richard Jenkins as John’s father. Jenkins gives a touching, understated performance of a man who suffers from mental illness, but who loves his son very much. It was the highlight of the movie for me.
Oh, and Amanda Seyfried is still very pretty.
Elwood Says: 3 Half-Built Houses out of 5.
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PRECIOUS (2009)
Based on the novel by Sapphire
Screenplay by Geoffrey Fletcher
Directed by Lee Daniels
Lionsgate
”These tests paint a picture of me with no brain. These tests paint a picture of me and my mother, my whole family, as less than dumb.”
This was the movie I had to rent twice, and I still haven’t seen a 3 minute seqment of it.
Let me tell you, though, Precious is not a happy movie. It is depressing, and dark, and scary, and worth it if you can get through it.
Clareece Precious Jones is 16, pregnant with her second child – both the result of being raped by her father, still in middle school, and living a horror show of a home life. This is not a story about her salvation, but simply about her resolve to make one thing, anything, in her life better.
I don’t know how to review this movie, to be honest. I’m a privileged white male who has never had to deal with even a fraction of the hardship these characters have. I was amazed by the film, but how do I put that into words that don’t sound like liberal guilt or posing?
So instead I’m going to focus on the two leads, Gabourey Sidibe and Mo’Nique. It’s no surprise why they were both nominated for Oscars, and I see now that Mo’Nique’s Academy Award was well deserved. She scared me in this film. Her character is pure monster, and when I read and watch interviews where Mo’Nique talks about drawing from life experience and having been there, I have to believe it. I have only seen bits and pieces of the lives people like Precious and Mary live. There are levels of depravity in Mary that you can only imagine, and I’m glad that Mo’Nique – an incredibly funny stand-up comedian – was able to showcase her dramatic abilities here.
Sidibe is also quite incredible. For her first film she’s got some serious talent, and the way she was able to wrap herself up in Precious was tremendous. Gabourey has weathered some serious criticism, mostly over her weight, but much like the fantasies Precious has about being the better person she’s risen above it. I look forward to seeing her in the new Showtime series “The Big C” when it premieres in a couple of weeks.
Elwood Says: 4½ Stolen Buckets of Chicken out of 5.
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SHE’S OUT OF MY LEAGUE (2010)
Written by Sean Anders and John Morris
Directed by Jim Field Smith
Dreamworks SKG
”She kissed you? She? With her actual mouth? Kissed you? On purpose?”
Yeah, this was one of those dumb comedies. Nerd gets the Girl. There’s no surprise to the premise, or doubt about the resolution, so it all comes down to the delivery.
Kirk (Jay Baruchel) is feeling like a loser. He’s working a dead-end job for the TSA, his ex-girlfriend is dating someone new (and they’re spending all of their time with Kirk’s folks), and he’s kind of the anomaly in his family. Molly (Alice Eve) leaves her cell phone behind at airport security one day, and the movie goes from there. Kirk fears rejection, Molly’s tired of douchebags, they each have weird friends, there are a few miscommunications…you’ve seen it before, right?
Alice Eve was funny and a good choice for Molly. You could certainly see why Kirk and his friends would consider her a 10, while she’s maybe a 7 or 8 inside her own circle, and was convincing in a role that didn’t necessarily require any nuance. She really sold Molly, and I bought it. It does get distracting that she wasn’t completely able to shake her British accent, and her blend of Brit and American made me think she was Australian.
Overall, though, this movie delivered pretty well. It had more than enough moments in it to keep me chuckling, and I’ve always enjoyed Jay Baruchel’s awkward presentation. His friends cracked me up, too. The extra half-point is for the Hall & Oates cover band, “Adult Education.” AWESOME!
Not a purchase or a destination film, but if you need a good laugh or can’t find anything else to rent you could do a lot worse. Be sure to watch the Gag Reel on the DVD for some extra *snerks*.
Elwood Says: 3½ Sex Yodas out of 5.


I really love Amanda Seyfried too, but I think watching Chloe soon will give me all I need to ooggle. I could not watch a movie based on a Nichols Spark book if I were being paid by Seyfried sitting on my lap the entire time. To say that I find his style repulsive is an understatement.
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I’ve heard so many good things about Precious… yet I will probably never watch it. Being a white-ish male myself, I’m tired to being spoon fed how tough everyone besides me has it and that I have some special whitey super power that alone has kept me from being a terrible asshole (I hope).
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I appreciate you reviewing RomComs so I know what I will always be missing. I sincerely appreciate your write ups on them – the write-ups actually make some of them seem like something I would not fake swine flu to get out of seeing.
Chloe is languishing in Very Long Waitsville right now…*sigh* I hate Nicholas Sparks, too. I’m straight, I’m male, I’m not a housewife with no imagination, but…Amanda.
Honestly…movies like Precious are difficult to navigate. It’s a film made by, and for, African-Americans, yet it’s one of those things that the mainstream will get a hold of and use as a – for lack of a better word – token. I probably could have written an entire post just on the layers of social commentary, but I’d have come off as an asshole, or worse.
If you forget about the Meet Cute parts, and just focus on the funny, you’ll be fine. Really. It won’t kill you. Sometimes it’s okay not to be a complete film snob. You make exceptions for other, less cerebral, genres. You don’t have to be a contrarian all the time.
Really not trying to be one. I watch rubbish and enjoy it a lot – I’m not a snob, I just generally do not like romances of any sub-genre.
We should write a RomCom, but use Bloodsporting Viking Zombies. That would be awesome.
Someone who knows what the hell romance is should write a RomCom.
Guh.
Mine and Elwood’s RomCom would be epic! And a good idea for a future tag-team Hypothetical Studio.
I like deconstructing genres, personally, so I think a good angle might be… I Left My Heart at the Slumber Party Massacre. It would be a movie about a bunch of nearly nekkid co-eds getting knocked off – their dead bodies discovered. Eventually one of the gals call the police and a detective shows up to help solve the murder.
Except now we pull an April Fools and there are no murders but it was, like, a gift for one of the gals who thought everyone forgot her birthday – but really the detective is a male stripper! And he and the gal are totally falling for each other while he is playing law & order!
But things get interesting because a couple of total rejects dudes left their laptop in one of the girls rooms and it has terabytes of pirated movies and music as well as a freshly minted sex tape on it (featuring the sorority slut) – they think there is a real killer and a real cop, so they want to break into the room to get the laptop back (before their illegal booty is discovered by the “police”) all the while being paranoid about the killer running on the loose.
The detective is stuck in his role because he does not wanna lose the gal, so he is overplaying the part of detective.
The zany laptop dudes want to escape with their laptop and hide in the stripper/detective’s car after making a break. When they get to his car they find a bunch of weird (costume-like) shit that makes them believe HE is the killer – which makes them go to the police (safely, since they got their laptop back) where – HOLLA – they find out there is no detective Such and Such.
So SWAT descend on the house like it’s a cult and the detective has to come clean – but it’s ok because this chick has a heart of gold and loves him even if he is a stripper.
The End.
Dude…if I were a studio exec, I’d greenlight that film yesterday! Awesome.
Yeah, it would rock. I’ll have to make a few alterations and put it in my file of Movies That Will Make Me Rich which will never get made.
Just as long as I get a Producer credit.
I mean, really, it has am appeal to almost every.single exploited audience there is. The only thing missing is crazy action – but it has the Date Night, American Pie, Spoof movie crowd begging for more.
I’m going to have to disagree here, I would totally watch a movie based on a Nichols Spark book if I were being paid by Seyfried and she was sitting on my lap the entire time.
Eyes the line; decides to cross it anyway…
I would read a Nicholas Sparks book out loud to Amanda Seyfried, but she wouldn’t be able to hear very well, because she wouldn’t be sitting on my lap.